I have been looking a lot at delay, reverb and echo pedals, so I picked up this one recently. One reason I have been looking for delay/reverb pedals is because my amp has no reverb. There is an effects loop which is cool, and its cool to switch between putting the pedals in front and after the pre-amp. I got the aqua puss delay, it is a lot of fun. It only has 300 millisecond of delay, which is okay for me, I usually just want slap back or a little bit more echo in my delay so this wasn’t a problem. First thing I like about it, analog. I really like analog. I have been getting rid of all of my digital effects. Of course its the warmth that’s why everyone likes analog. Second, Self oscillating freak out mode and third the tone. Freak out modes comes when you turn the feedback all the way up and the blend all the way up the you mess around with the delay. I am really happy with this pedal and I recommend it to anyone who wants an analog delay. I looked at the MXR carbon copy too its a good pedal. Also all of my pedals so far have come from Dunlop or danelectro (but I got that one for free). In the future I am planning on looking at Boss and Electro-Harmonix.
There is a wonderful book that came out several years ago called Guitar: An American Life by Tim Brookes. The book goes through the history of the guitar especially its life in the Americas and the US as well as Brookes’ journey through getting a new guitar. His old trusty guitar was broken on a flight and he decided it was time to get another one. I really liked the history of the guitar and how it is intertwined with the banjo and the identity of the American people. The guitar used to be a ladies instrument, where as now it is a phallic symbol for rock stars. This is a great book for someone who is interested in history, guitars or both. Mr. Brookes is an writer for his blog and NPR, as well as his own books.
I am glad I got this book and it has definitely given me a new appreciation for the life and art of a luthier. However, the only problem I had with the book was the treatment of the electric guitar. He seemed to treat it as an instrument for punks and that folkies and classical musicians were at the top of the guitar chain. As someone who is interested in everything, I think that is a narrow view. Especially since the electric guitar is an American instrument. Sure it’s based off the Spanish style guitar, but at this point they have totally different uses, sounds and histories. Although to be fair putting both acoustic and electric guitars in a book that size would do neither justice. Hell there long books totally dedicated to telecasters and SGs.
I still recommend this book to anyone interested in the amazing history of the guitar or who is interested in the relationship a luthier has with his clientele.
For all of you song writers out there there is a recording competition going on through Hello Music and Indaba music. For those who don’t know Hello Music is a discount seller like woot.com. They sell a few music items every day like guitars, processors, pedals, amps, basses and services. Unfortunately no banjos which I happen to be in the market for right now. They started sometime last year and so far I have been following them, but I have yet to buy anything. They do repeat, especially Orange amps, Les Paul studios and american standard strats. Inbada music is like bandcamp.com where you can sell or disperse your music around the internet. right now there is a contest to win $2,000 worth of recording gear for writing original songs. I know I’ll be entering. I have a couple new songs up my sleeve, and I am still a total stranger to home recording. Good Luck.
Also I am looking for a new banjo so if anyone has any suggestions or good sites to buy from I am all ears. Musician’s friend and guitar center are not that good selection wise, but I have been looking at banjo.com. I had to step up from my Epiphone because it was too unbalanced and I like to play clawhammer.
Issue 23 of Fretboard Journal- Gillian Welch on the cover from Fretboardjournal.com
If you are interested in all things guitar (both electric and acoustic), bass, banjo and/or mandolin, I would recommend Fretboard Journal. It is a great magazine and I think the articles and photos are far superior to many other boutique guitar magazines. They have been publishing for about 6 years now and it’s a quarterly journal. It’s also the only magazine I don’t throw issues away. I’m not a photographer but there is something very down to earth and real about the photos they take. It makes these incredible guitars seem very accessible and tangible. Unlike other magazines that but there rare beauties on a pedestal never to b touched or played and any worthwhile musician knows that instruments were made to played not collected and kept in a display case. That is why Stradivarius violins are still played and rented out to violinists. Sure its Yitzhak Pearlman and Hilary Hahn but still they are being used.
They recently released their fall issue with Gillian Welch on the cover. She is one of the most important women in Folk and Americana music today, and I love it. When I found out about his magazine about a year ago, it really started to motivate me to read about different tone woods and try experimenting with guitar building and modifying. I guess you could say along with Old Crow, Fretboard Journal helped make me the man I am today. It also has opened me up to the wide world of independent luthiers and builders. That may also mean I’ll make my next guitar a small business one rather than a corporate one.
The issues range from $8 to $18 depending on how you buy it, at the stand vs. subscription. This is the only magazine so far that I bought a subscription to the day I saw it. If that isn’t enough to convince you I don’t know what is.
I have been looking at boutique and handmade guitars for some time now and there are 2 that really catch my eye. Teuffel guitars and Teye guitars. I think Teuffel has amazing and interesting designs for guitars. There is some interesting philosophy there, contour hugging bodies and tone bars. The birdfish model i think is the most radical and if I had to pick one of them it would be this one. It’s like having a lego set as a guitar. You can switch out Tone bars so create different resonances and the boutique pick ups are beautiful. I’m sure they sound amazing and if I had the chance so I would test one out in a heartbeat.
The Tesla model looks like how I really want my Steinberger to feel. That smooth feel and look, and it probably plays like a dream. To me it looks kind of like a Rickenbacker body but updated for 2000s. I’m not hinting that ricks are UN-stylish but they have a certain 60s feel that is unshakable.
The only thing I have a problem with is that headless neck. so that is why I would probably go for the Niwa. One question I have is whether the pickups on the nista model are encased in wood? because I love that earth feel.
But now I have to get serious. Pirate guitars and Gypsy electric. If I were to buy boutique it would be Teye guitars. They have a charm that is unparalleled. Made in Texas by a Dutchman. If I played with a band, instead of jamming in my apartment with the mic on. I would use one of these for shows. I love that he details the specs for his first guitar on a napkin and them posts the napkin for all to sort of read. I have outfitted my Tele with a new pick guard, but I have to say I was kinda going for these guitars.